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Guy Ritichie's film The Gentlemen is a violent fantasy about ongoing Anglo-American global dominance, writes Kate Bradley.
Kate Bradley reports on Jeremy Corbyn's Manchester rally.
Ken Loach is widely acclaimed for his uncompromising and cutting portrayal of the realities of poverty in his films, but Kate Bradley argues his depictions of sex work fall short.
Kate Bradley reviews Urban Warfare by Raquel Rolnik, an important investigation into how capitalism has shaped housing for its own ends
Video games can be vehicles for a whole range of political ideas - and some can even help us explain social reproduction theory, argues Kate Bradley.
Kate Bradley reviews Contralto, a one-hour work for video, strings, and percussion that features a cast of transgender women
Kate Bradley considers the misogyny at the heart of fascism, and asks how we can better challenge it.
Kate Bradley interview Mark Abel, author of Groove: An Aesthetic of Measured Time
Today the Mail on Sunday published an article about sexist remarks made to Kate Bradley by a Unite staff member and her complaint about them.
Kate Bradley looks at her experience of depression, the interplay of austerity and mental health problems, and the ambivalent role of state services