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Review: Epstein: Filthy rich
Kate Bradley reviews a documentary series focusing on giving a voice to the survivors of Jeffrey Epstein.
Social reproduction in crisis
The coronavirus crisis brings into sharp light capital's reliance on social reproductive labour, Kate Bradley argues.
Guns, gangs and imperialism
Guy Ritichie's film The Gentlemen is a violent fantasy about ongoing Anglo-American global dominance, writes Kate Bradley.
Report: Jeremy Corbyn in the O2 Apollo, Manchester
Kate Bradley reports on Jeremy Corbyn's Manchester rally.
Ken Loach, sex work and paternalism
Ken Loach is widely acclaimed for his uncompromising and cutting portrayal of the realities of poverty in his films, but Kate Bradley argues his depictions of sex work fall short.
Review: Urban Warfare
Kate Bradley reviews Urban Warfare by Raquel Rolnik, an important investigation into how capitalism has shaped housing for its own ends
A gamer’s guide to social reproduction
Video games can be vehicles for a whole range of political ideas - and some can even help us explain social reproduction theory, argues Kate Bradley.
Review: Contralto
Kate Bradley reviews Contralto, a one-hour work for video, strings, and percussion that features a cast of transgender women
Always anti-fascist, always anti-sexist
Kate Bradley considers the misogyny at the heart of fascism, and asks how we can better challenge it.
A Marxist theory of music: it’s all in the groove
Kate Bradley interview Mark Abel, author of Groove: An Aesthetic of Measured Time























